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DJ Kicks mixed CD. William Egleston der demokratische Wald mood, atmosphere, emotion and a left-of-centre approach have always been the hallmarks of Forest Swords' own productions, you'd expect to find a similar emphasis on this DJ Kicks excursion. Predictably, he's done just that, conjuring up a heady, constantly surprisingly musical journey that somehow manages to draw together many different stylistic elements whilst still making perfect sonic sense.
Having taken time out to travel the world and experience new things including psychedelic substances in CaliforniaJohn Hopkins planned to make Singularity, his ninth album, "a sonic ecosystem that starts and ends on the same note". He soon got frustrated by these limitations, so instead just laid down a fluid and hazy album that combines his usual luscious, ambient electronics with a variety of sparse, heavy and off-kilter rhythms. While undeniably laidback in parts, the album also boasts a number of foreboding techno workouts and uses a wider palette of instrumental sounds than we've come to expect including some fine strings and his own intricate piano playing.
The resultant set is rather impressive, all told, and while not quite a "sonic ecosystem", it's certainly an enjoyable journey. The Four Worlds CD. Good Time Soundtrack CD.
It was for his work on the score to Good Time, a New York-set dark thriller that's recently been getting rave reviews. Listening to this official CD release, it's easy to see why the eccentric electronica producer was handed a shiny gong. Although as experimental, William Egleston der demokratische Wald and challenging as his previous releases, much of the material also sounds grand and cinematic, seemingly capable of
William Egleston der demokratische Wald up - or releasing - tension in a similar manner to legendary soundtrack composers.
Like the film, the album concludes with the producer's collaboration with Iggy Pop, which sees both men at the top of their game. Deutsche Elektronische Musik 4: Hot on the heels of the recent release of Soul Jazz's latest Deutsche Elektronische Musik collection the third, in total comes this timely reissue of the 2CD set that started it all. Eight years on from its original release, the collection remains arguably the best primer you can find "krautrock" and "kosmiche".
Full of drowsy, far-sighted s electronic workouts, trippy art-rock and left-of-centre, experimental gems, the collection draws together cuts from German scene titans - think Can, Neu! Kelly Lee Owens CD. Song For Alpha CD. While undoubtedly one of dance music's greatest party-starters, Daniel Avery has never been a dance music purist. Over the years, there have been various quirky, downtempo-minded side projects and DJ mixes that show the impressive breadth of his musical knowledge.
It's for this reason we're not that surprised to find that Song For Alpha, his first album sincecombines deeper and more trippy takes on his club-ready sound home listening fodder, despite the drums with escapist, early morning cuts inspired by ambient greats Brian Eno, John Hassell etc.
By mixing things up in this way, Avery has delivered what could well be his strongest body of work to date. Flowers From The Ashes: As the self-explanatory title suggests, the latest full-length excursion from the admirable Stroboscopic Artefacts label brings together new and unheard tracks from some of Italy's most forward-thinking electronic musicians. Throw in a couple of sublime ambient numbers and you have a superb snapshot of Italy's vibrant underground electronic scene.
As the Houndstooth roster becomes increasingly diversified age, so Call Super remains the label's brightest star. Responsible for inaugurating the Fabric-housed operation, J R Seaton has subsequently gone on to deliver some of their best 12" offerings and the time feels right for the Berlin-based producer to show his hand at full length albums.
In contrast to the techno-focused approach his Call Super 12"s, Suzi Ecto finds Seaton expanding on his palette with 11 tracks that veer wonderfully between moments of electronic poignancy and more thrusting fare. Spend some time with Suzi Ecto and you'll find it to be one of this year's most rewarding listens with new favourites emerging with each cycle - "Raindance" is the current fave here at Juno HQ.
If you were judging Kieran Hebden's 11th Four Tet William Egleston der demokratische Wald album merely on the way it's presented, you'd immediately think he'd spent the last two years immersed in early '90s William Egleston der demokratische Wald house albums.
While it's unlikely he's done that, it's fair William Egleston der demokratische Wald say that New Energy does owe a debt to classic electronica sets from that period. For all the exotic instrumentation and subtle nods to post-dubstep "aquacrunk" experimentalism and chiming, head-in-the-clouds sunrise house, the album feels like a relic of a lost era. That's not meant as a criticism - New Energy is superb - but it is true that his choice of neo-classical strings, gentle new age melodies, sweeping synthesizer chords and disconnected vocal samples would not sound out of place on a Global Communication album.
World Of Echo CD. Well, we couldn't really be happier. In fact, there is almost nothing to say about this album apart from the fact that it is absolutely, downright essential. Originally released in on Rough Trade here in the UK, it has been reissued a few time over the years but has always vanished in the blink of an eye and reappeared on the EBay and Discogs circuits for big bucks.
Finally, you can indulge William Egleston der demokratische Wald a beautifully remastered version on virgin vinyl. In what is seen by many cultic Russell fans as perhaps his biggest achievement, the LP drifts in and out of light and shadows with utter ease, truly portraying the genius of the man who paved much of the way for modern electronic music generally.
From start to finish, it's an ethereal mixture of sparse beats, effect manipulations and folklore, charismatically told by one of the only artists in the history of experimental music to really combine and successfully bind so many unexpected musical terrains. We are only mere mortals, so we won't describe the music to you Mirall William Egleston der demokratische Wald hand-numbered CD. Tel Aviv trio Garden City Movement has spent the last five years impressing at the margins, periodically releasing singles that have tickled the fancy of some well-regarded tastemakers.
Now they're finally ready to release their debut album, Apollonia, a collection that has the makings of a breakthrough set. At the core of their sound is a love of woozy, otherworldly dream pop - think blissed-out vocals, drowsy synthesizer chords, sampled beats and glistening guitars - yet their take on the decades-old genre is undoubtedly their own.
Across the album's 18 tracks you'll find nods towards shuffling indie-dance, traditional Middle Eastern musical forms, jazz, ambient, indie-rock and the skewed, chopped-up beats associated with Flying Lotus's Brainfeeder label, with the band's inherent dreaminess providing a constant thread throughout. Design Your Dreams limited CD. Demand Full Automation CD. Karsten Pflum is one of those producers and performers who consistently delivers, yet rarely gets the credit his atmospheric and inventive electronica probably deserves.
Love Canticles, his first studio set sinceis another sparkling gem. There appears to be no overarching concept, just attractive, melodious and occasionally experimental music that impressively mixes and mangles a myriad of styles. So, while you'll heard nods to veteran explorers such as Aphex Twin and Autechre, not to mention audible references to wonky synth-pop, glistening ambient, Rehplex style "Braindance" and warts-and-all electro, all of the tracks are deliciously unique.
If you've yet to dip into the Danish producer's discography, then this is the perfect place to start. Invisible Connections remastered CD. Tomorrow's Modern
William Egleston der demokratische Wald CD.
When he originally released his second solo album, Tomorrow's Modern Boxes, inThom Yorke only made it available as a download via BitTorrent. The paid-for package proved popular, with over a million listeners William Egleston der demokratische Wald to download it in the first week of release. Here it finally gets a physical release a limited Japanese pressing in not withstanding.
The album is naturally typical of much of Yorke's solo work, blending his fragile and dinstinctive vocals with heart-aching piano motifs, crunchy electronics beats and all manner of weird and wonderful sonic textures. Early reviews stated that it was Yorke's most challenging work to date, but one that just gets better with every listen. That remains a perfect summary of an alluring and deliciously odd collection of tracks.
Given the success of his early EPs on Werkdiscs and Rush Hour, hopes are naturally high for this debut album from adopted Londoner Moire. The mystery producer has previously spoken of his love of the capital city, variously calling it "raw, yet so full of soul" and describing his style as "London techno".
Certainly, there's a notable world-weariness amongst the attractive analogue electronics, enveloping chords and post-industrial dancefloor rhythms of Shelter. While there are unsettling moments - see the bubbling, acid-flecked warehouse hypnotism of "Rings" and the disarming sludge of "Stars" - for the most part Moire deals in hazy, late night beauty, smothering the album in intoxicating textures and flitting late night melodies see the dawn-over-Hackney Marshes feel of "Mr Figure" for proof.
It's rare that an electronic album is the biggest album of the year, or at least the most hyped. That's certainly the case with Syro, Richard D James first official release under his Aphex Twin moniker for some 13 years. So, is it in any good? For starters, it sounds like an Aphex Twin album. There's madness, beauty and intensity in spades. In other words, it's an Aphex Twin album, and - as so many have pointed William Egleston der demokratische Wald since the album's release was - there's no-one else quite like Richard D James.
Glass arguably moves further in the latter direction. In fact, it's the more sanguine, ambient inspired of which there are numerous, that really stand out.
Way back inTom Jenkinson decided he'd had enough of working on his own as Squarepusher, and formed a band. The result was the Shobaleader One, an outfit seemingly inspired - in
William Egleston der demokratische Wald, at least - by mask-wearing dance-pop robots Daft Punk.
The album that followed, d'Demonstrator, took some of Jenkinson's influences - electro, IDM, jazz - and fused them with art-rock, synth-pop, jazz-funk and a
William Egleston der demokratische Wald of '70s psychedelia.
On this belated follow-up, Jenkinson has decided flip the script, eschewing new compositions in favour of recording 11 covers of vintage Squarepusher material. Given his involvement in both projects it's no surprise that these full-band interpretations work well. It's a smart William Egleston der demokratische Wald financially, too, as the band will be touring Europe later in the spring.
Death Peak CD with obi-strip. Since his last full-length outing inActress has been keeping a low profile, seemingly content to focus on running his WerkDiscs imprint. AZD, his sixth album, is a welcome return to the limelight. While it doesn't pull his trademark style in many new directions, it does contain rather a lot of impressive material. As usual, we're offered a blend of electronic intensity, rhythmic dexterity and occasional moments of blinding beauty.
Other reviews have commented that it feels less introspective than his claustrophobic set Ghettoville, despite being named after his studio. We tend to agree, and it's this blend of introspection and bare-knuckle intensity that makes the album so appealing. The Digging Remedy CD. Despite now being 25 years into their career, Plaid duo Ed Handley and Andy Turner show no signs of showing up.
If The Digging Remedy - their 11th studio set - is anything to go by, their instincts remain as sharp as ever. They've always been capable of creating magical music that contrasts experimental electronic rhythms William Egleston der demokratische Wald picturesque melodies and mood-enhancing sounds, and The Digging Remedy is full of the stuff. Intriguingly, many of the tracks seem deeper and more subdued than previous explorations, with clear ambient and neo-classical influences amongst the classic electro and IDM flavours you'll find on the album's more moments.
Juno Recommends CD Albums.
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