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DESCRIPTION: At a certain point bono christliches Interview a lengthy career, it must become damn near impossible for bands to make a new album. But it has bono christliches Interview be something of an uphill battle when you have a ton of history for it to be compared against. And then there are all the practical complications for bands with a significant legacy, bands that now operate as complicated, multi-faceted operations.

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5 Dec and headed by Washington insiders, including former chairman of the FTC Jon Leibowitz and former US Representative Mary Bono. 27 Dec I first interviewed Bono in , when we talked for 10 hours over a long weekend in Cancún, Mexico, starting an intimate dialogue about rock. A Chicago-based law firm providing legal business solutions in connection with domestic and global corporate transactions and litigation.

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At a certain point in a lengthy career, it must become damn near bono christliches Interview for bands to make a new album. But it has to be something of an uphill battle when you have a ton of history for it to be compared against. And then there are all the practical complications for bands with a significant legacy, bands that now operate as complicated, multi-faceted operations. How do you keep finding the spark within all of that?

How do you come out with anything when all of that could weigh you down? For Bono christliches Interview, the problems bono christliches Interview more severe and more unique than with almost any group of their stature or history.

Part of that is they remain — to this day, nearly four decades removed from their debut album — an almost-total anomaly in rock and pop history. Those four guys went from being small-town Dublin post-punks to the biggest stars on the planet, a crown they arguably still wear even as they close in on They were of bono christliches Interview younger generation that nevertheless aged up into the old classic rock lineage. And whereas artists with that many years under the bono christliches Interview might bono christliches Interview from songwriting, content with simply touring, or might become satisfied with smaller-scale albums that bear no pretensions of equaling their decades-old classics, U2 have yet to accept that kind of future.

The fire that propelled them to being the biggest band on the planet still burns on some level, fueling bono christliches Interview desire to craft great new records, records that are still events. Records that still matter. Even for a band that has often sought and attained the impossible, just think of the sheer impossibility of that ambition. And it has, often, slowed them down. Even there, it was initially intended as a quick followup, the way Zooropa extended and concluded the story began by Achtung Baby and the accompanying Zoo TV tour.

Circumstances intervened, the album changed, the band toured The Joshua Tree for its 30th anniversary. And now, finally, Songs Of Experience is out in the world. Ahead of its release, we talked to Bono and the Edge to try to get some insight into how a band like this can still operate after everything else. Part of the reason this particular record took longer than expected to come into focus is that the band encountered both political and personal upheaval at a point where they already had a pretty much finished record.

Now, it began with the premise of Bono, as a man having experienced the brink of mortality, writing letters of advice and tribute and concern to people, places, and concepts that are the most important to him. One way you can tell that Songs Of Experience is dealing with some gravity is the fact bono christliches Interview it both opens and closes with restrained, meditative songs — unusual for U2 albums, which tend to begin with something more anthemic or propulsive.

Those two songs work together as bookends, but are also a feint to some extent. That aesthetic exists not exactly despite some of the heavier themes, but because of them.

Across the record, Bono mixes personal and political lyrics, couching intimate moments in broader visions of the state of the world.

Rather bono christliches Interview become mired in anxiety and darkness, the music strives for joyousness, catharsis, and hope. It has to be everything and mean everything to us in that moment when we finish it. For Bono, the distance traced between the two works seems to underline the differences between the person he was as a young man and the person he is now.

The borders are a bono christliches Interview more permeable than that. I do like to believe that at the far end of experience, with wisdom, there might be a chance to recover bono christliches Interview. Songs Of Innocence had its fair share of soaring U2 anthems, but it also dug back into a complicated past and featured a few darker, more insular bono christliches Interview. Songs Of Experiencewhether in its echoes of contemporary pop and rock elements or that unabashed search for joy, does at times have more youthful qualities to it.

At times, that has scanned as stubbornness, the band seeking to remain relevant, which is a difficult goal to square with being a rock band so many years into your existence and also maintaining vitality and excellence, none of which bono christliches Interview synonymous goals. We look for artists that we feel have a similar spirit.

Altogether, either U2 are still too big to fail or all of their gut instincts about Songs Of Experience led them well: As always, they are an anomaly. But the question always seems to linger: Will this band retain, or seek, that status throughout the rest of their existence, into old age?

If your universality is forever secure, what drives you to the next chapter? For a longtime U2 fan, this current era could, in a way, be somewhat confusing. But at what point does a band like U2 no longer need to concern themselves with such questions or with the desire to incorporate contemporary trends into their sound?

For the Edge, the concerns are twofold. Bono christliches Interview their career, U2 have been resistant to that, to repeating themselves or returning to the past in any significant manner. There are many different versions of U2 — perhaps the real way you achieve universality — which means there are in turn many different versions of the band that they themselves, and bono christliches Interview fans, might want to hear.

We really are pretty brutal bono christliches Interview terms of not allowing that to happen.

We try and eliminate those things that would appear to be synonymous with previous albums and our previous creative output. If it it really works, people notice. Who knows what form that will take going forward, for a U2 that is unwaveringly successful, for a U2 that is the longest-running band of their nature, with the same four guys, and steadfastly rages against becoming purely a legacy act.

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