DESCRIPTION: I'm here to make a big, big sound The musical development of Steve Lukather by Arend Slagman A penetratingsharp guitar rockin' and rollin' in mid tempo together with straight drums Mike Baird and a dark bass John Pierce into the first lines of Richard Marx:Lindsey S: Where's the sexiest accent of the UK aka Welsh? This video was a total letdown!
Bruce Wayne69: Tiny Hands Are Tiny.
Fronschka: Please remember, race: black, white, yellow, red. Nation: depends on country or region u live in! Racist and Nacist is such a different thing.
ErnyJ.R.C.: As a straight male, I actually enjoy anal self-play. o.o
Eduardo Lemos: Greek women are more fun and sexier
Eric Cartman: Love it , the dinner/Lunch part is so Mediterranean . you can add it to all the country in the Mediterranean Sea. The food part is epic . to fight and to see that you are not eating at the same time : love it ! so south of Italy too )
Pie De LimГіn: The British guy could just marry me alright
Epiccomedy: Os Portugueses tem um sotaque muito lindinho e engracadinho.
PagePerfekt: In my opinion brasilian portuguese its more melodious and turns it beautiful, but a portuguese strong and calm voice could be very good too
Brandon Hatch: Kindly do one for North African women too! Even North Africans women from France!*
PianoGesang: Yall r tripping these rnt beauty standards.these are how far some people will go for beauty in each country
Rodrigo Medea: i am amazed at the double standards and hypocrisy at some of these comments it's incredible
Carlos Perez: I'm more than positive the Turkish guy and the the guy singing about Kuula were both singing Eurovision songs!
Slave Oxygen: Respect +
Syed Jaffer: By the way I doubt the serbian girl has ever visited Serbia at all. She's an american spy.
FlameSpark: laci stop with the calm resoned logic. your going to make subscribe!
Aj Hoyt: This must be the secret safe zone where people(? can be racist and not fear losing their account for being called racist.
MrZer000: 00:00 no
Sonny Baez: The kiss thing is not really true. you can kiss a mexican woman on the first date if you play your cards right
Chloe J: It does just seem like an old tradition that hangs on based on misinformation and religious pressure.
Die Anzahl Ihrer Anhänger wird im Moment der Registrierung festgelegt. .. Wir sind immer auf der Suche nach klugen Köpfen! Werden Sie. Frage 1 Die Suche nach Informationen steht nicht im Vordergrund. ( Transactions) Frage 2 Ich interessiere mich in diesem Moment f ̈ur alle m ̈oglichen Themen. Ich suche ein Stichwort, einen Namen, ein Datum oder ̈ahnliches. Um das junge Land auch zeitlich zu einen, wurde die Datumsgrenze nach Osten verschoben. Die große Ausbeulung der Linie in Äquatorhöhe ist das.
World of Tanks - Funny Moments - Hookup Finder!
I'm here to make a big, big sound The musical development of Steve Lukather by Arend Slagman A penetratingsharp guitar rockin' and rollin' in mid tempo together with straight drums Mike Baird and a dark bass John Pierce into the first lines of Richard Marx: I'm doing what I said I would. Further on we hear Marx singing: In the centre of this song one of my favourite solos of a guitarist on his musical crusade to a big, big sound.
Auf der Suche nach einem Datum im Moment think that Marx is verbalizing here the leading thread running through Lukather's musical career. On his way to that desirable sound, Lukather took broadly outlined four musical roads: And fortunately every road had his spin-off on the other ones. For a good survey take a look at the amazing discography. Lukather himself looked back very double-hearted on his career as a session guitarist.
That was the peak of when I was doing it. I would look forward to being there and then sometimes the artist would be terrible - you didn't understand how these people got record deals!
We'd sit there and make the most of it. This is a time before drum machines and before people had sophisticated home studios. Or they would play the song for you. We'd basically rearrange and rewrite the song for them, just because we wanted to get the hell out of there. Most of it was bad; maybe 15 percent of the sessions were great, the rest were forgettable.
That's when it got to the point where I stopped. Those records were really creative. I'm so tired of running in somebody else's shoes. What's it all been for. What's the use of playing for somebody else's auf der Suche nach einem Datum im Moment. I've been on the road for somebody else's dreams.
Now I'm trying find my way back again. It's time to break some rules. And stop before the fire in me cools. And of course the partners in Toto and the people he played the jam-sessions with. Songwriting To get a rough view of Lukather's musical development, I made a virtual cd section with the most important contributions, a chronologically and alphabetically ordered discography and a facts section.
In the facts section I listed all the Toto and solo songs co- written by Steve Lukather. When you take the facts section in one glance, you can see that as far as Toto is concerned Lukather started very slowly as a co- writer. From The seventh one Lukather's production increased clearly, six out of eleven songs, on Kingdom of desire nine out of twelve, on Tambu twelve out of twelve and on Mindfields thirteen out auf der Suche nach einem Datum im Moment fourteen.
On Lukather, released one year after The seventh one, Lukather co-wrote eleven out of eleven songs, on Candyman, released between Kingdom of desire and Tambu, nine out of eleven and on Luke, released between Tambu and Mindfields, ten out of eleven.
On the thirteen Toto studio albums Lukather co- wrote altogether 76 songs out of On his four solo albums he co- wrote 34 out of 55 songs. The songs on his solo albums he didn't wrote, are covers: It's also obvious that Lukather only wrote three Toto songs and two solo songs all by himself: In an interview in Frankfurt on 25 June toto I wanna write about life.
Kind of reflecting on my auf der Suche nach einem Datum im Moment life. And the type of compositions I can do, I've got minute songs. I don't write songs and say "I'll save this for me" or "This is a Toto song". When I write for Toto I write whatever comes.
With Toto we write the songs all together. Here on Candyman, A. I'm writing most of the stuff with David Garfield. Talk to ya later Lukather started his musical career at the age of seven.
His father bought him a guitar and a copy of the Meet the Beatles. I knew that's what I wanted to do. I remember George Harrison played a solo in I saw her standing there and just the sound of the guitar bending and the reverb struck a nerve inside of me," Lukather explained to Eddie Van Halen.
In the next years he taught himself how to play, learning from older kids and in high school from among others Jeff Porcaro and David Paich a couple
auf der Suche nach einem Datum im Moment years older and already doing sessions. In his duologue with Eddie Lukather recalls: I wanted to learn.
At that point I was really intrigued by the whole session thing. It wasn't something I wanted to do since I was a little kid. I didn't know anything about it until I was in high school. I always thought it was kind of cool to be able to play on all these great artists' records. In the years following Lukather became the first-call studio musician as already mentioned. From the beginning
auf der Suche nach einem Datum im Moment his career he turned out to be an all round guitarist playing rock, pop, jazz, funk, classical riffs, blues etc.
During the first interesting contributions Lukather rhythm guitar on the background, sometimes with sharp accents on a more heavy straight rock song like Stranded from the album Airplay by Airplaywith Jay Graydon, David Foster and Tommy Funderburksometimes more subtle with staccato
auf der Suche nach einem Datum im Moment riffs in a song like Miss Sun by Bozz Scaggs or with a clear guitar sound in the beautiful Scaggs ballad Look what you've done to me In Lukather he was only twenty years old by then joined Toto and one year later the band released their first album simply called Toto.
It's easy to hear that Lukather, although he didn't participate in the song writing, got a lot of possibilities to expose his wide talent. From the beginning of his Toto career he carries out a huge technique, a lot of inventiveness, a lot of knowledge of his equipment and an own recognizable style. A style that is characterized by a natural merge of blues, rock, jazz and classical themes, always resulting in sometimes complicated melodious patterns and riffs.
In this context it's very clarifying to watch Lukather's Master Sessionafter the release of Isolationthe Star Licks Guitar Video-Tutor and see how he's in control of everything he's doing on guitar and with his equipment.
Lukather's sound in my opinion the result of his style, his technique, his equipment, his personality and his experience at the moment Toto was released was however too smooth, too "in the clouds" to be already really "big, big".
In the years following there are several musical meetings that seem to give Lukather impulses to develop his sound to a more down to earth one, right from the heart. The first meeting I'm aiming at is Lukather's contribution to the Tubes album The completion backward principleproduced by David Foster.
Lukather co-wrote the opening song Talk to ya later, together with lead singer Fee Waybill and the rest of the band, and played rhythm and solo guitar in a direct, dirty way he didn't do before. Especially the up tempo solo is ass kicking.
Sixteen years later Lukather contributed again to Talk to ya later, on the fifth Richard Marx album Flesh and bone, in top gear with Simon Phillips on drumsvery aggressive, staccato, with unexpected changes
auf der Suche nach einem Datum im Moment tempo and the only possible duet on this song: Richard Marx and Fee Waybill.
When you compare the Tubes version with the Marx version it's obvious that the big difference is the sound of Lukather. In the version Lukather is passing the treshold, discovering new possibilities for his sound. In the version we can hear Lukather already found his big, big sound, showing us the results of years of hard labour, experimenting and living, just knowing that this big, big sound could be possible after all.
Just because of the fabulous contribution of Lukather this Richard Marx version of Talk to ya later is one of my all time favourites. On the next Tubes album Outside inside almost the whole Toto gang appeared. Lukather co-wrote again the opening song She's a beauty auf der Suche nach einem Datum im Moment played guitar as sharp and dirty as two years before. But the most surprising co-operation of Lukather in those years was the one with Fee Waybill in on Waybill's first solo album Read my lips.
Lukather co-wrote six songs more than Lukather did on any Toto album till that moment and played his guitar so powerful and varied, together with his old schoolmate Michael Landau, that from that moment he was ready to play a more influential role in Toto. Probably it was the select combination of the musical all rounder Lukather and the intellectual Fee Waybill with his sharp, cynical and sometimes surrealistic texts, sharing their love for music and for life.
It all comes together in the dreamy, drifting Caribbean sunsets, also one of my all time favourites, sub-tropically backed by people like David Foster, Steve Porcaro, Jeff Porcaro, Bobby Kimball and Richard Marx. And of course the star of the show, Fee Waybill, singing from the bottom of his belly: Friendly on Isolation; it's like a mirror song of Mr.
Hate on the Tubes album The completion backward principle. After the appearance of almost the whole Toto gang on Outside inside by the Tubes, the evolution of the Toto sound in general and Lukather's sound in particular quickened. The majority of the Toto fans and followers confirm that Isolation is the most heavy Toto album. I'm sure that there's a lot of influence of the Tubes involved. Luke's sound on Isolation is pretty much the same as his sound on Outside inside and Isolation songs like Lion, Stranger in town with guest appearance of Mike Cotton, the Steve Porcaro of the Tubes and Endless do auf der Suche nach einem Datum im Moment a high Tubes grade.
Fahrenheit seems to be a stopping place in the development of Lukather's sound. It's a very well-balanced album with a integrated exposition of Lukather's wide talent and his musical experiences untill then, from the timeless ballad I'll be over you, via the high edged guitar sound like on Read my lips on Can't stand it any longer and the clear reggae chords on Somewhere tonight up to the modest jazz ballad with that mellow trumpet sound of Miles Davis.
It all fits very well, but the album sounds more auf der Suche nach einem Datum im Moment than Isolation. You can hear clearly that Santana was easily played away by Lukather. The competition between Lukather and Jeff Beck was more complicated. In a speed boogie like Freeway jam or Super boogie there's the pointed, sharp sound of Jeff Beck and the more sliding sound of Lukather.
It's obvious that Beck doesn't matter to give in his stability in search for creative and unexpected peaks. Lukather on the other hand plays like the talented, skilled professional, the craftsman with his own auf der Suche nach einem Datum im Moment and a big sound. The choice is yours. From this moment Lukather starts to write more songs and is apparently searching for a more down to earth auf der Suche nach einem Datum im Moment, on guitar and on vocals.
The seventh one is in this respect a key album. Lukather co-wrote six out of eleven songs, like the romantic ballad Anna again with Randy Goodrumthe super auf der Suche nach einem Datum im Moment Stop loving you with David Paichthe guitar based rock song Only the children and Home of the brave, one of the favourites of many hardcore Toto fans.
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